Event Schedule

IAA 2021 Spring Artists in Residence Ryan Adams and Pamela Chevez are coming at you with an artist talk on Thursday, March 25th at 5pm! Join Indigo’s Studio and Programs Coordinator, Ashley Page and listen in as they drop some gems of knowledge and talk about where they started in their artistic careers and how they ended up here today. Whether working large scale on the side of a building, or adorning your favorite brewery’s new creation, these two artists are here to give insight into their processes as muralists, designers, and entrepreneurs. We’ll be surveying the urban landscape and exploring walls that these artists have made their own.

Co-Hosted by Indigo Arts Alliance and Cove Street Arts Soulful Stitching is now on view! Exhibited until March 27th, 2021 at Cove Street Arts, a limited number of these quilts are for sale and all proceeds from the sale will be split between the Siddi quilters, Indigo Arts Alliance, and Cove Street Arts.

The Siddis of Karnataka, India are the descendants of both early African immigrants to South Asia and enslaved Africans brought to Goa on India’s west coast by the Portuguese beginning in the 16th century. While they have adopted, adapted, and integrated many aspects of Indian cultures, Siddis have also retained and transformed certain African traditions. In the visual arts, one tradition stands out: the patchwork quilts known as kawandi. Learn more about this exhibition by visiting the Cove Street Arts website!

Join Indigo on March 11th at 5:30pm in a scholarly conversation with curators, scholars and IAA Advisory Circle members, Sarah K. Khan and Henry Drewel, along with Dr. Pashington Obeng, who will share their research and contextualize the history of the Siddi community.

You’re invited to join a free conversation on contemporary indigenous art making on Wednesday, February 3 at 4 pm via Zoom. Portland Ovations, Indigo Arts Alliance, and a very special panel of North American indigenous artists engage in a sweeping conversation, “Seeking Resonance: Toward Being Future Beings” looking toward the development of renowned Yup’ik artist and choreographer Emily Johnson’s new multidisciplinary project, co-commissioned by Portland Ovations

This conversation brings Maine-based artists Jason Brown (Penobscot), Donna Decontie (Penobscot) and Chris Newell (Passamaquoddy) into dialogue with Emily, her collaborators Drew Michael (Yup’ik and Inupiaq) and Maggie Thompson (Fond du Lac Ojibwe), and you. Together, we will share a conversation that spans fashion, dance, performance, music and visual arts, as they discuss their experiences as Indigenous artists making work today: their relationships to traditions, place, spirituality, and more.

ReMapping New England is an virtual conversation series hosted by Indigo Arts Alliance and Atlantic Black Box to address New England’s complicit roll in the global slave trade and the economy of enslavement.

ReMAPping New England (Memory + Art + Place) is a historical recovery project aimed at inscribing these effaced narratives both in the built environment and on a dynamic digital landscape in an effort to re-member our communities in all their diversity and radically shift public consciousness toward truth.

The inaugural event in the series, “Remapping New England: Monuments, Markers, and Collective Memory,” will take place Thursday, January 28 at 7:00 pm on zoom. Dr. Kate McMahon of the Center for the Study of Global Slavery at the Smithsonian’s National Museum of African American History and Culture will moderate a conversation about public memory and representation with the following panelists:

• Representative Rachel Talbot Ross, Portland Freedom Trail (Maine)

• Charles Roberts, Rhode Island Slave History Medallions (Rhode Island)

• Dennis Culliton, Witness Stones Project (Connecticut)

• JerriAnne Boggis, Black Heritage Trail of New Hampshire (New Hampshire)

Indigo Arts Alliance, in partnership with Portland Ovations, is honored to have produced an original performance event featuring three based Maine artists to be featured in the Kennedy Center’s national series, Arts Across America. This program series is a part of the Washington, D.C. based John F. Kennedy Center for the Performing Arts Social Impact Initiatives. Arts Across America was built to uplift artists and showcase art from communities and regions across the country. This free, online programming will be available on Facebook Live, YouTube, and the Kennedy Center website.

Featured Maine artists include:

Firefly, a member of the Penobscot Nation and raised in his people’s ancient village at Indian Island, presents Maine in Firefly: Sacred Fire. A journey through sound, light and emotion from the ancient to the unknown. Deeply influenced by the traditions of his ancestors, Firefly performs both traditional hand drum, shaker and vocal songs as well as cutting edge musical compositions rooted in his ancestral traditions. 

Atiim Chenzira, presents Destiny Manifest: Poetry and Spoken Word exploring the African ancestry from East to West Coast and back formulating my identity and roots as a new Mainer. Atiim is a musician, songwriter, spoken word poet, community activist and family therapist originally from Oakland CA. His music is an eclectic mix of New Age Hip Hop, Old School Soul and Jazz Poetry.

Maya Williams (pronouns they/she), presents Definitions of Home, a showcase of poems touching on mental health, suicide, and racism. Originally from Greensboro, North Carolina, Maya is a Black and Mixed Race suicide survivor residing in Portland since 2017. She has published poems with glitterMOB, The Portland Press Herald, Black Table Arts, Occulum, Littoral Books, Homology Lit, and more.

FLEX AVE. is the brand-new creation of Flexn dance pioneer Reggie “Regg Roc” Gray. Featuring group choreography and solo improvisational works all set to a continuous mix of reggae, hip hop and pop music, the FLEX AVE. features exciting dancers and a lively DJ. All of the members hail from Brooklyn, NY and represent the best of the high-energy Flexn dance culture. Flexn developed from various Jamaican street dance styles into a distinct art form that’s spread across the globe and has been embraced by the pop mainstream (as evidenced by Beyonce’s recent Coachella performance featuring several FLEXN alums). At the heart of Flex Ave. resides narratives of perseverance and struggle– over violence, mental illness, loss of family. The mission of the company is to show that creative expression can be used as a tool for social change and inspire us to overcome any adversity. Find out more about who they are on their website and read about ticket sales on the Portland Ovation website 

The Seeking Resonance Series is a partnership between Portland Ovations, and Indigo Arts Alliance, in collaboration with the Greater Portland Immigrant Welcome Center. The series offers opportunities for us all to share in creative experiences that explore the vibrational quality of connection.

Join us as we open the 2020-2021 series with “Welcome Home,” a special, 45-minute virtual event that introduces us to four of the artists and performances offered in this exciting series. From stories of migration to diasporic art forms, we invite you to travel the world with the many Black and Indigenous peoples, cultures and artistic expressions that make up our global community. Together, we’ll explore our deep need to find home. A space and place that makes us feel whole — where we feel joy, safety, valued and loved, where we turn to connect with all that makes us who we are.

Indigo Arts Alliance is partnering with the Portland Museum of Art/PMA Films to host a live conversation between MR SOUL! filmmaker Melissa Haizlip and musician/writer/storyteller and upcoming IAA artist-in-residence Samuel James. Joined by legendary special guests Sonia Sanchez* (Poet Laureate of Philadelphia), Felipe Luciano (The Last Poets, The Young Lords Party), and Abiodun Oyewole (The Last Poets) this is not a conversation you should miss!

From 1968 to 1973, the public television variety show SOUL!, guided by the enigmatic producer and host Ellis Haizlip, offered an unfiltered, uncompromising celebration of Black literature, poetry, music, and politics—voices that had few other options for national exposure, and, as a result, found the program an improbable place to call home.

The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. With participants’ recollections and a bevy of great archival clips, Mr. SOUL! captures a critical moment in culture whose impact continues to resonate.

The film is available to purchase online via the Portland Museum of art Virtual Cinema portal: www.portlandmuseum.org/films
Proceeds will support the PMA Films Program and Indigo Arts Alliance.

*Due to unforeseen circumstances Ms. Sanchez won’t be participating in tonight’s talk.

A weekly series spotlighting local Black and Brown artists across disciplines. We will also be sharing Indigo-produced videos showcasing the creative processes of artists both locally and nationally. This is just one of our efforts to further our mission: amplify unique voices and visions while continuing to expose and compensate participating artists through our Alliance. In partnership with the Black Artists Forum and The American Craft Council.

Let this Dynamic Songstress bring the joy of Latin rhythms and more into your home.

Indigo is sending out cheers to all the Graduating students.

Samaa Abdurraqib was raised in the Land of Buckeyes (Ohio), spent 8 years in the Land of Dairy (Wisconsin), and moved to the Land of Lobsters in August 2010. She enjoys birding, hiking and being outdoors, facilitating reading groups for the Maine Humanities Council, and coaching leaders of color. Samaa’s academic and non-academic writing can be found in a variety of edited collections, academic journals, and on the online platform The Body Is Not An Apology. Her poem, “End of Land – Deer Isle” was recently published (2020) in Maine Coast Heritage Trust’s Voices From the Coast – a publication celebrating the organization’s 50^th anniversary.

Maya Williams (she/hers & they/them) is a religious queer Black Mixed Race suicide survivor constantly writing poems and asking people if she can give them hugs. She has competed locally and nationally in slam since her freshman year at East Carolina University under the slam team Word of Mouth in Greenville, North Carolina. While with them, she has placed in the top 20 at the College Unions Poetry Slam Invitational (CUPSI) in 2015, and opened for folks such as Indira Allegra, Neil Hilborn, and Angela Davis.

Just Plain Jones is the nom-de-plume of Portland producer-rapper-singer-multi-instrumentalist, Patrick Jones. His style blends his pan-idiomatic songwriting sensibilities with his mastery of hip-hop production from ethereal boom-bap to heavy electro-funk to sinewy neo-soul.

Originally from the DC metro area, Jones, has been producing, songwriting, and performing for 15 years, and recently released his newest self produced project Foie Gras. Patrick teaches Digital Music production, “I believe that digital production can offer a new and inclusive path to explore sound, composition, and songwriting. My role as a teacher is to help students put words to concepts and ideas and grow their creative repertoire”.

Come out to hear some of the cities’ finest spoken word poets represent and get ready to have your mind blown by their incredible talent and stories.

This event is sponsored by The JFW Lecture Series, presented by the University of Maine School of Law, brings speakers to Maine each year to discuss their work and strategies to promote justice for women and girls. Maine Law established the series in 2011 with leadership and support from attorney and civic leader Catherine Lee of Lee International.

Indigo Arts Alliance Winter Artists in Residence will give us a sneak peek and preview of their latest collaboration —Voices in Our Midst II. This work is unfolding in a beautiful collaboration of words and imagery. Moon’s poetry is written in response to Sean’s arresting and celebratory images of life in East Bayside, Portland. The work focuses on human experience and identity and is informed by the personal histories of community members living in Maine’s most diverse neighborhood.

Kifah Abdulla has been hailed by Jenny Can West and others as “Exceptional: lucid, crisp, meditative, and heartbreaking. As if in chiaroscuro-miniature detailed paintings. Kifah tells of home life in Baghdad during the war, that world closing and disappearing as the war unfolds.

Kifah is an Artist, poet, activist, soldier, POW, exile, teacher, international citizen. “All these describe me, and I paint and write poetry mining my life experiences, yielding work with the universal themes of love, freedom, hope, fate, passion, and peace. I’m interested in contemporary art, visual arts, sculpture, poetry, interior design, graphic design, illustration, creative ideas and I also interested in science and researches. My artwork employs different artistic styles to explore social, spiritual, emotional and cultural themes.”

The CMCA is offering the “Artist Toolbox”, a new statewide initiative designed to help artists develop professional skills. This statewide initiative, supported by a major grant from the Roxanne Quimby Foundation, will be offered to all regions throughout the state of Maine, through informative presentations and intensive weekend workshops at either no charge or a nominal charge to artists.

CMCA Executive Director Suzette McAvoy says, “Through our work, we’ve noted that many artists are underprepared to market and represent themselves in the changing dynamics of today’s arts and culture sectors. We’ve designed the Artist Toolbox program to help meet these needs.”

The CMCA has hired Kim Bernard to administer the program in its inaugural year. CMCA Artist Toolbox Talk presented by Kim Bernard will introduce artists to the most critical skills needed to represent themselves and advance professionally in the changing dynamics of today’s arts and culture sectors. Creating a strong, body of work is the most important part of being an artist, but then what? This presentation will cover hi-priority topics such as: photographing your work, websites, gallery representation, pricing, networking, and small business basics, followed by a Q&A. Free and open to the public

This will be a very special afternoon not to be missed. Séan Alonzo Harris has weaved through a life of photography standing on the shoulders of great role models. In this talk he will share how the gift of a camera from his grandmother continues to influence his work today.

“There are voices in our midst that call to us, people who know us by name and speak to something in us- some hope, some dream, some vague idea- waiting to be born. When we least expect it, they make our familiar world strange again and teach us how to find our way in it.” ––Marcus Bruce

Voices in Our Midst is a collection of street photography and portraits by Sean Alonzo Harris taken in Portland, Maine over the past few years. This work focuses on human experience and identity and is informed by the stories of those who have gone before us and those who move among us each day. Harris’ interest resides in telling the untold stories, speaking the forgotten voices and capturing personal histories through the photographic image. Harris will be in conversation with the great C. Daniel Dawson of the Kamoinge Workshop, a group of African American photographers he helped to found in 1963. When the collective began in New York City, they selected the name Kamoinge, which means “a group of people acting and working together” in Gikuyu, the language of the Kikuyu people of Kenya. They met weekly, exhibited and published together, and pushed each other to expand the boundaries of photography as an art form during a critical era of Black self-determination in the 1960s and 1970s.

The Virginia Museum of Fine Arts is currently exhibiting: Working Together: Louis Draper and the Kamoinge Workshop https://www.vmfa.museum/exhibitions/exhibitions/working-together-kamoinge/

Storytelling is one of humanity’s oldest traditions. Proven time and again throughout history, those who left behind stories are those who have become established references to our collective past. More recently, even journalism and media outlets have become storytellers, with chosen narrators and platforms designed for mass consumption.

“My father told me my first story. He was a child soldier in the former civil war of Sudan, now South Sudan. The stories he has shared with me over the years—his first-hand accounts of the conflicts plaguing the country—opened my eyes to the concept of war through the lens of the people who lived it, without filter, agenda, or bureaucracy. In this talk I will share my story.”

We are all migrants whether descendants of settlers, colonizers, seekers, or enslaved. Each of us originated from somewhere else unless our ancestors descended from indigenous peoples. And yet with passion, communities both embrace and demonize migrants, indigenous, and refugees across the United States and the globe. To counter xenophobia, Migrant Kitchens is about the embrace, and our capacity to love all who cross borders, dare to transgress, and risk lives to protect loved ones. Migrant Kitchens stories derive from one of the most diverse regions of the world, Queens NY. Of the nearly 2.5 million inhabitants of this fourth largest city in the United States, over 50% of the population is immigrants. Around 160 languages ricochet off the public school walls in 53 neighborhoods. Abundant culinary diversity endures amidst the high concentration of cultural variety. Foodways travel. To survive and find their bearings, many Queens migrants, new and old, work in the food industry. In kitchens at home, on the streets, or in the restaurants, Migrant Kitchens recognizes food as an anchor and as an entry point for migrants to make a living. Food is familiar. It is refuge for the refugee.

Meeta Mastani and Sarah K. Khan will collaboratively teach South Asian block printing inspired by Meeta’s 25-year work (Bindaas Unlimited) among Rajasthani block printers, Chaubundi. Natural dyeing and the art of painting, printing, and dyeing in non-toxic colors.

Meeta Mastani is an internationally known print/natural dye artist and community development advocate. She works at the intersection of sustainable development, culture, craft, design, arts, and retail, expressing herself through different media and helping to generate livelihoods for marginalized communities. She travels India, working with artisans in the area of textiles, folk art, paper, leather, and wood. She has done collaborative work in different parts of the world, and has taught as an artist in residence at UW Madison in the U.S. Since co-founding the art /craft centered sustainable business- Bindaas Unlimited, she has focused on reinterpreting traditional craft and art for urban and international markets. She lives part of the year in rural Rajasthan where she creates contemporary block prints on textiles and T-shirts with traditional printer communities, reviving and expanding the natural dyeing traditions and creating new designs and techniques. An example of her work was recently displayed in ‘The Fabric of India’ at the Victoria & Albert Museum-London.

Join Palaver Strings, the Greater Portland Immigrant Welcome Center, and Portland Ovations to hear stories of courage, resilience, travel, and transition from three of Maine’s immigrant communities. Facilitated by Marty Pottenger, guests will be invited to share their own experiences and how and why they call Portland home.  This afternoon will kick off  Welcome Home, a statewide concert tour that premieres in Portland at Port City Music Hall on November 14, 2019, at 7 pm.

Featuring Welcome Home speakers Kifah Abdulla, Alain Iginareza, and Rhea Côté-Robbins, as well as musicians from Palaver Strings.

Indigo Arts Alliance and Cove St. Arts are proud to present Daniel Minter in conversation with Henry John Drewal — Othered: Displaced from Malaga. The two will discuss Professor Drewal’s recent essay— Revelations: Bitter History, Enduring Spirit in the Art of Daniel Minter. The essay is in response to Minter’s 2018 University Of Southern Maine Artists Residency. This is the second series of paintings inspired by Minter’s reverence, research, and respect for the people of Malaga Island. Minter is a painter, sculptor, and illustrator who uses art as a tool for dialogue with his community. His work reflects abiding themes of displacement and diaspora; ordinary/extraordinary blackness; spirituality in the Afro-Atlantic world; and the (re)creation of meanings of home.

Henry John Drewal has published several books and edited volumes and many articles on various aspects of African art, among them: Yoruba: Nine Centuries of African Art and Thought, which toured seven US cities, and Beads, Body, and Soul: Art and Light in the Yoruba Universe, which toured five US cities between 1998-2000. He is theEvjue-Bascom Professor of Art History and Afro-American Studies at the University of Wisconsin-Madison and Adjunct Curator of African Art at the Chazen Museum of Art, UW-Madison.

Sarah K. Khan, a two-time Fulbright Scholar (2001-02 & 2014-15), creates multimedia content about food, culture, women, and migrants grounded in social justice. Sarah spent 20 years researching traditional ecological knowledge systems of Asia and the Middle East (nutrition, public health, integrative medicine, plant sciences, and agro-ecology). She pulls together her multiple skills as a scholar/artist to share her work with the larger global audience. She creates global media content. The goal is to make invisible visible, bear witness, and relay the stories of migrants, through the lens of food with photography, film, interactive maps and story. She is assembling a series of multimedia and photographic exhibits on “In/Visible: Migrant Kitchens,” “In/Visible: Porters of Taste” that explores the lives of migrant workers in Old Delhi; and another on “In/Visible: Women Farmers.” At present Sarah continues Migrant Kitchens in Queens New York, and with a group of women in Fez, Morocco.

Highly regarded as an artist, scholar, and curator, David C. Driskell is one of the world’s leading authorities on African American Art. He has been the recipient of thirteen honorary doctorates and has contributed significantly to scholarship in the history of art on the role of Black artists in America. His paintings and collages reflect his personal vision and memory. Marked by the artist’s abiding color sensibilities, his work bears the imprint of a turbulent era, a return to nature, and Driskell’s synthesis of the European, American, and African art forms he knew firsthand.

Myron M. Beasley, Ph.D. is Associate Professor of Cultural Studies at Bates College. He is a scholar and international curator. His ethnographic research includes exploring the intersection of cultural politics, art, and social change, as he believes in the power of artists and recognize them as cultural workers; He has been awarded fellowships and grants by the Andy Warhol Foundation, the Whiting Foundation, National Endowment for the Humanities, the Kindling Fund, The Davis Family Foundation, the Ruth Landes Award from the Reed Foundation, and most recently Dorathea and Leo Rabkin Foundation for his ethnographic writing about art and cultural engagement.

David C. Driskell, Born in 1931 in Eatonton, Georgia. He was educated at Howard University and received a Master of Fine Arts from The Catholic University Of America.  In 1953 he attended the Skowhegan School of Painting and Sculpture in Maine.  In 1961 he became a summer resident of Maine.  He currently holds the title of Distinguished University Professor of Art, Emeritus, at the University of Maryland, College Park.  In 1997, Driskell was awarded the President’s Medal, the highest honor the University of Maryland bestows on a member of its faculty. In 1998, the David C. Driskell Center for the Study of Visual Arts and Culture of African Americans and the African Diaspora was founded to promote his scholarship and service to the University.

In December of 2000, President Bill Clinton bestowed the National Humanities Medal on Driskell. Trained as a painter and art historian, Driskell works principally in collage and mixed media. His paintings and prints have been featured in numerous solo and group exhibitions in galleries and museums throughout the USA, including the Corcoran Gallery of Art, the Baltimore Museum of Art, the Oakland Museum and the Whitney Museum of American Art.  He has been the recipient of several foundation fellowships among which are the Harmon Foundation, three Rockefeller Foundation Fellowships and the Danforth Foundation.

The Garifuna Collective is a pan-generational musical group from Belize that has been performing the music of the Garifuna people for more than 20 years. If you’re unfamiliar, The Garifuna are descendants of Afro-indigenous people who survived a slave shipwreck off St. Vincent and were later exiled to Honduras and Belize.

The Garifuna Collective has performed in over 30 countries across 5 continents. This will be their first trip to Maine! Their critically acclaimed album, Wátina, was a recipient of the Womex and BBC World Music Awards and voted by Amazon as the “#1 World Music Album of All Time” (besting albums by Bob Marley, Celia Cruz, Ravi Shankar, and others). o-presented with Space Gallery, the show is an incredible and rare opportunity to hear the music of the Garifuna people.

jumatatu m. poe and Jerome Donte Beacham’s Intervention is the part performance, part public action designed to provoke dialogue about Black queer life in public space. Centered around J-Sette performance and culture, this work is free and open to anyone who wishes to follow it through the streets of Portland. The walking performance begins at 6 pm in two groups: one will start at Indigo Arts Alliance (located at 60 Cove Street) and one will start at Blackstones (located at 6 Pine Street). Both will culminate at SPACE in a celebration with a live DJ set by Liz Rhaney. A second performance will take place in Lewiston on August 3rd as part of the Bates Dance Festival offerings.

Presented in partnership with the Bates Dance Festival.

Wilson will discuss using speculative fictions as a strategy in her work and practice. Focusing on two recent projects,  dark matter & the eliza cabinet project, she will talk about how she mines history and archives for use as artistic material and positions the Black imagination as an essential element in Black survival and self-determination through an Afrofuturist framework.

Folayemi (Fo) Wilson is an object and image-maker whose work celebrates Black femme representation and the Black imagination as a technology of resistance and self-determination. Her work explores the Black Atlantic experience though sculptural and multimedia installations presenting speculative fictions that reference history integrating inspiration from American vernacular architecture, literature and science fiction, using original sculpture, found objects, archival media, sound, and video.  Her process utilizes her training in art history and critical theory employing the archive and other research methods to mine history for use as material in her creative practice. Wilson earned a MFA in Furniture Design from the Rhode Island School of Design with a concentration in Art History, Theory & Criticism and is an Associate professor at Columbia College Chicago. Her design work is included in the collection of the Cooper Hewitt National Museum of Design. She is on the board of the American Craft Council and was honored as a 3Arts awardee in 2015.

Join us for an informal discussion with lecturer and choreographer Reggie Wilson about his work. Co-hosted by Bates Dance Festival and Indigo Arts Alliance, this FREE event is part of BDF’s Inside Dance series.

In this lecture, Wilson breaks-down elements of the Ring Shout, the arguable beginning building block of the Black Church, for audience participation and reconstruction. He speaks to how the Ring Shout has served in the naming of his company and in his work and research by discussing his movement analysis of elements of post-modern dance and African kinesthetic genius over time and space.

Indigo Arts Alliance and I’m Your Neighbor Books are proud to produce The Beautiful Blackbird Children’s Book Festival, an inaugural event in honor of artist Ashley Bryan. This one-of-a-kind program will celebrate authors and illustrators from across the African diaspora while honoring their roots, identity and resiliency. The festival will include online readings featuring selected works by several nationally recognized authors, online arts and craft workshops and a lively dance-along performance. We are committed to enabling readers to see themselves reflected in great literature and cultivating creators who understand the necessity of that reflection. We’ll also be giving away over 750 books to communities served through Portland Housing Authority. Special thanks to our partners I’m Your Neighbor Books, Diverse Book Finder, the Ashley Bryan Center. Our Sponsors: The Horizon Foundation, The Davis Family Foundation, Maine Community Foundation, Coffee By Design. Our Community Partners: Portland Parks and Rec, Portland Housing Authority, and Knack Factory. 

A Very Special concert has been added on Sunday, June 9th, Featuring Toshi Reagon and Samuel James. Both Nationally acclaimed singer/songwriters musicians.

Toshi Reagon is a one-woman celebration of all that’s dynamic, progressive and uplifting in American music. She has moved audiences of all kinds with her big-hearted, hold-nothing-back approach to rock, blues, R&B, country, folk, spirituals, and funk.

The Welcome Table: A Community Symposium on Sustenance, Creativity and Multiracial Democracy. Establishes Indigo’s commitment to artists and communities of African descent as an essential part of the meaning of a healthy, multiracial society.

An intergenerational gathering celebrating the cultural traditions of the African Diaspora and Indigenous Peoples. IAA will bring together scholars, activists, religious leaders, artists, culinary specialists and members of the public to explore the links between culture and spirituality in national and international community building.

Art, Music, Dance, Conversation

The programming will feature lectures, symposia and public conversations on the cultural histories, traditions, and wisdom of diverse Maine-based and international communities. ALL community members can participate in teacher-led arts workshops in Printmaking, Dance and Music, and enjoy a live performance by ViVa and the Reinforcements.

The culminating event of the day will be a community meal for upwards of 100 people. Prepared by cultural activists and ritual leaders from Salvador Bahia, Brazil, Moderated by Scholars who will explain the significance of the foods prepared and the importance held for spiritual renewal as literal and figurative sustenance in our African Diasporic travels across the waters.

Our First Event in collaboration with SPACE538:

Films shown were selected in consultation with members from Maine’s African immigrant community to ensure relevance for our local residents. It featured films by African-American, Caribbean and South American makers as well.

Over the course of the 2-day festival, there were 5 blocks for films: 1 for kids shorts, 2 shorts series, and 2 features, plus 1 scholar-led talk and 1 workshop for local filmmakers with a guest director.

Co-Curators: Karen McMullen and Tocarra Thomas